All Gustave Courbet Oil Paintings

1819-1877 French Gustave Courbet Locations was a French painter whose powerful pictures of peasants and scenes of everyday life established him as the leading figure of the realist movement of the mid-19th century. Gustave Courbet was born at Ornans on June 10, 1819. He appears to have inherited his vigorous temperament from his father, a landowner and prominent personality in the Franche-Comte region. At the age of 18 Gustave went to the College Royal at Besancon. There he openly expressed his dissatisfaction with the traditional classical subjects he was obliged to study, going so far as to lead a revolt among the students. In 1838 he was enrolled as an externe and could simultaneously attend the classes of Charles Flajoulot, director of the ecole des Beaux-Arts. At the college in Besançon, Courbet became fast friends with Max Buchon, whose Essais Poetiques (1839) he illustrated with four lithographs. In 1840 Courbet went to Paris to study law, but he decided to become a painter and spent much time copying in the Louvre. In 1844 his Self-Portrait with Black Dog was exhibited at the Salon. The following year he submitted five pictures; only one, Le Guitarrero, was accepted. After a complete rejection in 1847, the Liberal Jury of 1848 accepted all 10 of his entries, and the critic Champfleury, who was to become Courbet first staunch apologist, highly praised the Walpurgis Night.
 

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Gustave Courbet A Thicket of Deer at the Stream of Plaisir-Fontaine oil on canvas


A Thicket of Deer at the Stream of Plaisir-Fontaine
A Thicket of Deer at the Stream of Plaisir-Fontaine
Painting ID::  11153
  1866(Salon of 1866) 5' 8 1/2'' x 6' 10 1/4''(174 x 209 cm) Gift of an amateurs' reunion,1890.
  1866(Salon of 1866) 5' 8 1/2'' x 6' 10 1/4''(174 x 209 cm) Gift of an amateurs' reunion,1890.

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Gustave Courbet Apple Tree Branch in Flower oil on canvas


Apple Tree Branch in Flower
Apple Tree Branch in Flower
Painting ID::  11154
  1' 1'' x 1' 4'' (32 x 40.5cm) Gift of Max and Rosy Kaganovich,1973
  1' 1'' x 1' 4'' (32 x 40.5cm) Gift of Max and Rosy Kaganovich,1973

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Gustave Courbet The Cliff at Etretat after the Storm oil on canvas


The Cliff at Etretat after the Storm
The Cliff at Etretat after the Storm
Painting ID::  11155
  1869,signed"...70" (Salon of 1870) 4' 4 1/4'' x 5' 3 3/4''(133 x 162 cm)MNR 561
  1869,signed"...70" (Salon of 1870) 4' 4 1/4'' x 5' 3 3/4''(133 x 162 cm)MNR 561

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Gustave Courbet The Stormy Sea(or The Wave oil on canvas


The Stormy Sea(or The Wave
The Stormy Sea(or The Wave
Painting ID::  11156
  1869,signed"...70"(Salon of 1870) 3' 10'' x 5' 3 1/2''(117 x 160.5cm)
  1869,signed"...70"(Salon of 1870) 3' 10'' x 5' 3 1/2''(117 x 160.5cm)

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Gustave Courbet Teh Painter's Studio; A Real Allegory oil on canvas


Teh Painter's Studio; A Real Allegory
Teh Painter's Studio; A Real Allegory
Painting ID::  11157
  A Allegory,1855 11' 10 1/4 x 19' 7 1/2''(361 x 598 cm)
  A Allegory,1855 11' 10 1/4 x 19' 7 1/2''(361 x 598 cm)

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     Gustave Courbet
     1819-1877 French Gustave Courbet Locations was a French painter whose powerful pictures of peasants and scenes of everyday life established him as the leading figure of the realist movement of the mid-19th century. Gustave Courbet was born at Ornans on June 10, 1819. He appears to have inherited his vigorous temperament from his father, a landowner and prominent personality in the Franche-Comte region. At the age of 18 Gustave went to the College Royal at Besancon. There he openly expressed his dissatisfaction with the traditional classical subjects he was obliged to study, going so far as to lead a revolt among the students. In 1838 he was enrolled as an externe and could simultaneously attend the classes of Charles Flajoulot, director of the ecole des Beaux-Arts. At the college in Besançon, Courbet became fast friends with Max Buchon, whose Essais Poetiques (1839) he illustrated with four lithographs. In 1840 Courbet went to Paris to study law, but he decided to become a painter and spent much time copying in the Louvre. In 1844 his Self-Portrait with Black Dog was exhibited at the Salon. The following year he submitted five pictures; only one, Le Guitarrero, was accepted. After a complete rejection in 1847, the Liberal Jury of 1848 accepted all 10 of his entries, and the critic Champfleury, who was to become Courbet first staunch apologist, highly praised the Walpurgis Night.

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